Photographer David Guttenfelder recently won a World Press Photo Award for his work, for National Geographic, on the deserted town of Namie, Japan--which lies within a 12-mile radius of the site of last year's nuclear catastrophe at the Fukushima Daiichi nuclear power plant. His photographs were some of the most stark and significant images I had seen all year in the magazine--a publication whose lifeblood is excellent photography. Certainly his work, risking his health amid the radiation-affected areas he traversed to collect these images to share with us, deserves such accolades. It also reminds me, yet again, why I love the magazine and the organization, and why I only hurt myself when I let my subscription relapse. (Yes, I'm experiencing withdrawal symptoms today. I haven't had a new issue in almost three months.)My favorite image of his entire series (there are many more images) is the one of the makeshift rooms in refugee sites like the Big Palette convention center, taken from above. Every time I look at it, I consider each item, the composition of each tiny space, and marvel at how little we need, and what things we keep, replace, buy, borrow, use, throw away. What things would be in my space if I was a refugee? How much of this would be things I was even able to take with me? I am humbled once again by how much those affected by the March 11 earthquake and subsequent trauma have endured and how gracefully they have handled immense tragedy and loss. We do grow so attached to places, to spaces.
I have provided the original captions for these photos as they appear in the print issue.
[Update}: I just watched this extraordinary documentary from the BBC, on the 3/11 events told from the perspective of children who were/are the victims.